1/17/2024 0 Comments Graham sutherland painterIn France, Sutherland discovered an array of new inspirational forms. Sutherland was to live in this house, on a hillside of the coastal town of Menton for much of the year for the rest of his life. In 1956 he and his wife bought a modernist villa designed by the Irish architect Eileen Gray. Sutherland quickly took to both the sunny climate and the intriguing appearance of the region's plants and animals. He was first encouraged to visit by friends including Francis Bacon. He wrote: 'as the hand feeds the mouth so did the long scoops which plunged into the furnace openings feed them, and the metal containers pouring molten iron into ladles had great encrusted mouths.'ĭescribing his first experience of the south of France in 1947 Sutherland recalled that: 'To see Provence for the first time is to know Cézanne properly, and the painting of van Gogh had suddenly for me a new excitement'. He imaged the workings of the foundries to be like living creatures. Sutherland visited steel works in Cardiff and Swansea in 19. He recorded war work at mines, steel works and quarries in Cornwall, South Wales and Derbyshire, and the devastation of bomb-damaged Cardiff, Swansea, London and northern France. Sutherland discovered in Pembrokeshire a landscape of 'exultant strangeness' but also felt that he was 'as much part of the earth as my features were part of me'.įollowing the outbreak of World War Two, Sutherland was appointed an Official War Artist. the deep green valleys and the rounded hills and the whole structure, simple and complex'. He recalled being fascinated by 'twisted gorse on the cliff edge. He first visited Pembrokeshire in 1934 and said it was the place where he 'began to learn painting'. Gradually Sutherland's vision began to take on a more personal style and note of menace. They often become like creatures, capable of expressing emotion and physical sensation. Trees and woods are enduring motifs in Sutherland's work, from the nostalgic countryside scenes of his earliest prints, through to the blasted and tortured forms of his later images. Many of his early prints show his enthusiasm for the pastoral work of Samuel Palmer. Sutherland trained as a printmaker at Goldsmiths in the mid 1920s. The places in which Sutherland worked had a profound influence on his work: from the rural landscape of Kent, to the hills and valleys of west Wales and the heat and light of the French Riviera. Graham Sutherland was celebrated as the 'outstanding painter of his generation'.
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